From August 8 to September 3, 1961, John Coltrane had a residency going at the Village Gate, a club in lower Manhattan. It’s not known which nights these tapes were made, but the band includes Eric Dolphy on alto sax, bass clarinet, and flute; McCoy Tyner on piano; Reggie Workman on bass; and Elvin Jones on drums, plus second bassist Art Davis on an epic version of “Africa,” the only known live recording of the opening track from 1962’s Africa/Brass. The music was recorded with a single microphone hanging from the club’s ceiling, running to a tape deck backstage, so you get a kind of ambient, holistic sound that tends to prioritize the horns and the drums. Tyner’s piano is very quiet in the mix, and Workman’s audible but often more of a low bounce than the force he could be. On “Africa,” though, he and Davis get some dual spotlight time that’s extraordinarily beautiful, and the way Coltrane and Dolphy play as a duo, each man spurring the other on, is phenomenal.